Graphic Conservation Company Looking forward to PRESERVING the past.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

"Restorations are first class. Close to making a silk purse from a sow's ear. The quality of my print collection has been significantly improved by your conservation methods."

- Dr. Stephen Turner
Collector of Prints and Drawings

Our Work

Here are some additional photographs of work that we have completed. Please click on each photo to see an enlargement of the image.

Passport dated 1910 issued by Imperial Russia

book before

book after

BEFORE: Cream-colored wove paper. Tears and losses with old pressure-sensitive tape repairs which have oxidized and stained the paper. AFTER: After documentation and disassembly, each page was dry cleaned overall. The pressure-sensitive tapes and adhesive were removed mechanically and with heat, solvent and suction. Each page was then water-washed and deacidified. Tears and losses were repaired with starch paste, Japanese tissue, and paper pulp and then flattened. The passport was collated and reassembled in the original manner using the original thread.


Nineteenth Century baseball advertising booklet cover

baseball before

baseball after

BEFORE: Cover torn from booklet. Wood pulp paper with coated facing paper. Large paper and design loss. Smaller punctures, tears and surface losses overall. Pressure-sensitive tape repairs on front and back. AFTER: The cover was dry cleaned and water washed. All pressure-sensitive tapes were removed mechanically with heat and solvent. All losses, tears and punctures were repaired with Japanese tissue and starch paste and filled with matching paper pulp. All losses were inpainted to match the surrounding area. The cover was flattened overall and reassembled in the original manner.

Pastel portrait on vellum attached with metal tacks to wooden strainer

painting before

painting after

BEFORE: Pastel on vellum with a large tear and losses at the lower right. Previously repaired on the back with heavy canvas and a modern adhesive. Tear and surrounding area inpainted with chalk. Dark staining in the upper right corner and across the bonnet of the figure. AFTER: The portrait on vellum was removed from the original wooden strainer. The old repairs and adhesive were mechanically removed from the back. The tear was repaired and losses filled with Japanese tissue and PVA adhesive. The staining was improved mechanically. The losses were filled with pastel to match the surrounding area.

Aerial map of the Town of LaSalle, Illinois, dated late 1800s
Property of the Hegeler Carus Foundation

map before

map after

BEFORE: The print had been stored tightly rolled for many years resulting in many vertical and horizontal tears and losses. Heavy layer of surface dirt overall. AFTER: The paper was dry cleaned overall. It was then water washed and deacidified. The paper was lined overall on the back with Japanese tissue and starch paste and flattened overall.

Nineteenth Century advertising art

postcard before

postcard after

BEFORE: Chromolithograph on coated facing paper on wood pulp board. Surface dirt overall with accretions. Large losses of the paper and design. AFTER: The art was dry cleaned overall. The losses were filled using an antique coated paper and antique wood pulp board which matched the original in thickness and color. The losses were inpainted to match the surrounding area.

Team photograph from 1884 mounted to original wood pulp board

photo before

closeup photo before

BEFORE: Horizontal break at center with oxidizing rubber based pressure sensitive tape. More recent repairs were made with a modern acrylic mending tape. Board and photograph losses at the break.

AFTER: After a light dry cleaning overall, the tape and adhesives were removed with heat and organic solvents. The photograph was then separated from the original board mechanically. The photograph and board were then repaired separately with Japanese tissue and starch paste. The board losses were filled with cellulose. The photograph was remounted to the original board with starch paste. The piece was dried and flattened overall. Inpainting was done with water soluble media applied by brush.

photo after


Please feel free to contact us with any questions regarding the treatment of a work of art on paper.

Graphic Conservation Company
Preservation of All Works of Art on Paper

329 West 18th Street, Suite 701 • Chicago, IL 60616


tel: 312.738.2657
fax: 312.738.3125

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